Uzbekistani Bizzare And Souk

by staalplaat

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1.
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Glass Mughal 00:50
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Harijana 07:53
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Glass Mughal 04:43
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Paper Gulag 09:55
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Paper Gulag 05:12
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Leboneeze 04:42

about

Few of his records slide so much towards the for lack of a more polite phrasing, harshly fucked up digital noise and bears Muslimgauze spectrum as Uzbekistani Bizzare and Souk does.
Aside from the vocal loop/Amen break duet of “Rouge Amin Fraction”, the songs here found Jones focusing much more on the electronic music elements always present in his work as Muslimgauze, ranging from the watery, dubby tones that show up on “The Iranian Who Found Allah” and parts of the suite-like “Paper Gulag”, the harsh trebles of “Cafkir Ma Higra” (which bring to mind Aphex Twin’s “Ventolin”) or the dense, digital sleet storm of closer “Leboneeze”. Eslewhere, tracks like “Cafkir Wa Hig” and “Harijana” serve as master classes in Jones’ expertise at twisting his beats and patterns until they practically shred (both themselves and, if you’re not careful, the speakers).
Uzbekistani Bizzare and Souk is a tough, rigorous set of some of Jones’ most beat-focused work as Muslimgauze.

credits

released May 25, 2020

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staalplaat Amsterdam, Netherlands

Staalplaat is a label for sound artists: an organization network founded in 1982 by Geert-Jan Hobijn.Staalplaat operates many sublabels like: Hond In De Goot, Microwave Recordings, Mort Aux Vaches, Container, ERS, Necrophile Records, God Factory, Korm Plastics Introductionaire, material series, Staaltape our cassette label and Open Circuit. ... more

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