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Libya Tour Guide

by Muslimgauze

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Libya Tour Guide via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 102 Muslimgauze releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Hammer & Sickle, No Human Rights For Arabs In Israel (The Remix), Muslimgauze Memorial Mix Part 4, Port Said audio NL, The Remix, Home demo tracks, eye for an eye, Muslimgauze Memorial Mix Part 3, and 94 more. , and , .

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1.
2.
3.
4.
5.
Gadaffi Inc. 01:49
6.
Green Book 01:34
7.
Saef Edge 02:48
8.
Marzuq 02:41
9.
10.
11.
Ag Sidrah 00:40
12.
13.
14.
Tarabulus 02:24
15.
16.
17.
18.
Down Chad 01:32
19.
Eyes Of... 02:25
20.
21.
Kurnel 04:48
22.

about

Libya Tour Guide ranges over different sounds and
modes as it goes, from the almost collage of short pieces featured near the beginning to the subdued, sinister
pulsing of “Great Satan Shadow” to the extended, sometimes digitally shredded journey of “Aqua Tingktyur”.

Even more than normal, here Jones’ tracks comment on each other, with the already hectic squiggles of “Benzedrine,
Effendi” immediately answered with the fiercer distortions of the same sound on “No, Benzedrine, Effendi” and
“East of Tarabulus” naturally takes the listener further than “Tarabulues” just did. The result, whether it’s the richly echoing hand percussion of “Kurnel” or the choking static of “Rebiana Sand Sea”, is as intoxicating as always.

credits

released May 26, 2020

All tracks written, played by Muslimgauze, 1997.

license

all rights reserved

tags

about

Muslimgauze Berlin, Germany

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999
... more

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